Opening Turn Podcast – Episode 2: Cow Tools

Hey everyone! Time for Opening Turn Podcast Episode 2: Cow Tools!

This is also the second episode in a series that my PAX South co-panelist, Riley Seaman, and I recorded regarding the ins and outs of getting started in Live Action Roleplaying. This episode focuses a bit more on generalized roleplaying and plotwriting concepts such as how to craft memorable characters, how to scope your characters for the world they exist in, what your actual real-world limitations will do to affect your characters, and how to craft a plot that your players will be engaged in.

Continue reading “Opening Turn Podcast – Episode 2: Cow Tools”

The Games that Guide Us – Persona and Empathy

It can be said that the stories that we experience are one of the primary things that allow us to grow as humans, because they let us experience things that are outside of our direct base of knowledge. This is the reason I think that video games can be a very important narrative tool. When playing a narrative-driven video game, not only is the player reading about an experience, that player is directly involved in interacting with the experience. The best games, then, are the ones that can craft a narrative that is personally and directly relevant to a subject and can give a player insight into other experiences and points of view.

It is fitting, then, that one of the first articles that I write about this is on the subject of empathy. It is widely theorized that people achieve a greater sense of empathy with others when they have read stories told from other viewpoints. Empathy, as a trait, can be defined in this sense as the ability to care what is happening to another person to such an extent as to be able to emotionally connect to that person and relate to what they are going through oneself. Empathy for others is a large part of how humans have connected to each other throughout history; if one individual can know even a part of the pain of another, that individual becomes more invested in the removal or prevention of that pain, after all.

Continue reading “The Games that Guide Us – Persona and Empathy”

Opening Turn Podcast – Episode 1: So What is this LARP Thing, Anyway?

Hey there!

So, about a month ago, I was invited by my friend Riley Seaman to be on his panel at PAX South! The topic was live action roleplaying (LARPing), and being both a roleplaying afficionado and someone who has, I dunno, an entire website where I analyze plot and character development in various games, I decided to contribute my knowledge on what makes a good character, world, and overall plot. The panel went over really well, though the truly unfortunate thing was that we had so much to talk about that we really only got to cover a very high-level overview of each topic.

If only there were some way we could talk in depth about all of the things we had to just skim over!

Oh wait, the internet exists, and so do recording devices.

Continue reading “Opening Turn Podcast – Episode 1: So What is this LARP Thing, Anyway?”

Pyre – Original Soundtrack Review

[This article was originally posted here at VGMOnline.net, and is archived here with their permission. Please go check their site out because it is wonderful.]

Overview

Pyre is the latest game by independent developer Supergiant Games and scored by composer Darren Korb. It’s a sentence that one shouldn’t really have to type, as Supergiant’s history as a studio and Korb’s history as a composer are more or less the same thing. Each game that Supergiant releases is a very personal endeavor, and so it made sense from the beginning that when co-founder Amir Rao needed music for Bastion, he turned to Korb, who was a longtime personal friend. Korb, in turn, brought in vocalist Ashley Barrett to sing and provide voice acting for one of the main characters in Bastion.

It’s a story of collaboration that is told the way most people talk about the forming of a beloved and iconic band. The analogy is appropriate, too, both because Korb and Barrett have collaborated on every soundtrack that Supergiant has released and because in doing so, everyone involved had developed and reinforced their own unique collective style. Pyre is no different of course. After the highly experimental takes on ‘trip-hop western’ and ‘lounge blues electronica’, Pyre represents a chance for Korb to solidify his iconic style as well as to branch out when the opportunity presents.

Continue reading “Pyre – Original Soundtrack Review”

Stellaris – Original Soundtrack Review

[This article was originally posted here at VGMOnline.net, and is archived here with their permission. Please go check their site out because it is wonderful.]

Overview

The spacefaring arm of the 4X genre has a long and extremely celebrated history on the PC. From the classics like Galactic Civilizations and Masters of Orion to the relatively more recent entries like Sins of a Solar Empire and Endless Space, each take on the premise brings with it a different balance of micromanagement and automation. Unlike the terrestrial entries in the genre, though, there aren’t many soundtracks that I can claim have been particularly memorable. With Stellaris, Paradox Interactive seeks to bring their own spin on both the mechanics and the music behind the genre. Paradox composer Andreas Waldetoft has combined sci-fi electronica with performances by the Brandenburg State Orchestral to give us a synthesis of genre that has definitely aimed to give us something memorable. For the most part, I think he’s definitely succeeded.

Continue reading “Stellaris – Original Soundtrack Review”

Cosmic Star Heroine – Original Soundtrack Review

CSHheader

[This article was originally posted here at VGMOnline.net, and is archived here with their permission. Please go check their site out because it is wonderful.]

Overview

Few studios can modernize the ‘retro’ style quite like Zeboyd Games does. With releases like Cthulu Saves the World, Breath of Death VIII, and the last (and best) two entries in Penny Arcade’s On the Rain-Slick Precipice of Darkness, Zeboyd has shown that not only do they understand what should be in a retro-styled game, they also understand what should be modernized and streamlined for modern sensibilities. Their games have always had a sense of humor to them; homage and respect to what came before are delivered with tongue firmly placed in cheek. Their latest game, Kickstarter success story Cosmic Star Heroine, represents their first foray into ‘serious’ storytelling, and also their longest and most meticulously-designed project to date.

For the game’s score, Zeboyd turned once again to the Ireland-based Hyperduck Soundworks, who had previously composed the score to On the Rain-Slick Precipice of Darkness 4. In addition, they also composed the absurdly good soundtrack for Dust: An Elysian Tale, as well as the soundtracks for Kingdom Rush: Frontiers, A.R.E.S.: Extinction Agenda, and others. They also have several remixes on their Bandcamp page from such games as Chrono Trigger, Zelda, and Duke Nukem 3D. It’s obvious that they are quite enthusiastic about the blending of old and new, making the choice to once again partner with them for the Cosmic Star Heroine soundtrack seem like an obvious one for Zeboyd to make. Continue reading “Cosmic Star Heroine – Original Soundtrack Review”

The Intentional Optimism of ‘Trails in the Sky’

headerOptimism is not easy. This is something that most people don’t really think about. Most would consider optimism to be the default state of a person who has not seen enough of the world to know any different. There is a reason, after all, that the word ‘childlike’ is usually placed before the word and used to describe a state of naivetè that comes from inexperience. It is assumed by a great many people nowadays that once a person sees the world for ‘what it really is’, that person will, at the very least, shift from a perspective of ‘glass half full’ to ‘glass half empty’.

This manner of thinking is shown in video games a lot. As games strive to be a more ‘mature’ medium for storytelling, the settings and stories can, in a lot of cases, become very grim. Not that games are the only representation of these attitudes; dystopian fiction has enjoyed quite a run of success, and film has in recent years taken to deconstructing childhood heroes and showing their dark sides.

It’s refreshing, then, to experience a plot that shows that optimism is not solely a naive reaction, but can be a mature and informed choice that affects the way one views the world. And it is even more refreshing that this depiction of ‘intentional’ or ‘pragmatic’ optimism comes from a game that is in a great many ways a throwback to the same era of gaming that brought so many other evolutions to the kinds of stories that are acceptable in the medium.

Continue reading “The Intentional Optimism of ‘Trails in the Sky’”

Zero Escape: One Choice Can Destroy You

ZElogo

[This article contains minor spoilers for the games in the Zero Escape series. I have, however, kept them vauge enough that they will only make sense if you’ve played the games.]

Let me tell you a story.

One day, a woman went running down a path that she had traveled many, many times in the past. This path has a fork in it, and normally this woman takes the right hand fork. This day, the woman sees a snail in the road, and in order to avoid it, she makes the split-second decision to take the left hand path instead.

This story is told by the character Zero in the third game of the Zero Escape series, Zero Time Dilemma. The story does not have a good ending, because in fact, ten minutes after this choice, the woman is dead. One choice destroyed her. That, in fact, is the point that Zero is trying to make here. One choice, no matter how inconsequential it seems at the time, can destroy us.

Continue reading “Zero Escape: One Choice Can Destroy You”

Final Fantasy IX: A Retrospective

ff9

I know what you’re going to say: “Greg, you write about Final Fantasy a whole lot.” You would be right. I do write about it a whole lot. I think about it a whole lot, probably moreso than most other series. The fact is that I credit Final Fantasy as the reason I’ve always been into games. Sure, Legend of Zelda may have been my very first game, but it was Final Fantasy that hooked me, and Final Fantasy II (which, I would later find out, was the fourth game in the series) that solidified the hold that games have had on my life. It was just pretty amazing to me that a game could have a story to it, and I mean a real story with characters and interpersonal conflict.

Continue reading “Final Fantasy IX: A Retrospective”

Undertale and Player Choice

undertale_logo

So, I have this friend. We’ll call her ‘Lauren’, because, well, that’s what her name is. She plays a lot of video games, and plays a lot of music from a lot of video games, and is generally very enthusiastic about them to a degree that borders upon indescribable. She tends to criticize video game plots and characterization and themes because let’s face it, no matter how far video games have come in the past couple years, there have been just as many steps backwards. And besides, if one loves a thing, one should criticize it in the interests of making it better. I guess what I’m saying is, when Lauren recommends a game, I tend to listen to her because she puts a great deal of thought behind her recommendations. So, when she recommended that I play a little indie game by the name of Undertale, I paid attention.

I know, I know, I said I wasn’t going to write about games that were popular and that everyone already knew about. And here I am, writing about a game that everyone has at least heard something about in the past couple of months. But here we are.

Continue reading “Undertale and Player Choice”